.....
That was a question. You answered it. Why exactly should I come back to it?
A continuation of what story? What true continuations of the original series has there been besides loose references or Mike mentioning his father? There has been next to nothing connecting the story of this show to the original series and I've been fine with that up until the KARR(E) thing because this show needs to find its own footing, its own place.
Like I said, they go with the base that there was Michael Knight and a KITT twenty years ago and they build up from there. We've seen only nine episodes and what did you guys expect? A few hundred nods and storylines that are a throwback to TOS, because it'd facilitate people's nostalgia?
If the show has to find its own place, it needs to do show with its own strengths and weaknesses.
That had nothing to do with the connection to the original series, just the fact that the show has been handled horribly for the most part and taken in a direction that was clearly wrong.
And why do you deem their views on TOS so important, if it's just an issue with the show itself? No, really, that's what I've been asking all along.
That's not giving them points, a show shouldn't strive to be stupid or purposefully written badly or try to appeal to the lowest common denominator
Why not? TV is business and entertainment. And it's diverse; that's the good thing about it. There's good TV, there's fun TV, there's stupid TV. And there's a boatload of shows to pick from. You stick with KR, because you're a fan of the franchise, but that hardly makes it an obligation for them to make the show good drama.
You have this band of low rent Ocean's 11 wannabes from an age range of their early 30s to late 40s and apparently no one in said gang have never seen each others faces of until now, partying to music that at least in my opinion is totally unfitting and getting their "groove" on to it, especially the multiple shots of the Scorpio character acting like a total goof behind the bar. It didn't look natural and it was very out of place.
It was possibly unnecessary, but it was not out of place. You are familiar neither with the characters that were involved, sans Mike, nor with the concept behind the team, even if it was half-ripped from "Ocean's 11". The show never goes into lengths of covering any of that, therefore none of us is in a position to know how fitting or unfitting the scene was. It just was what it was. Take it for that.
I've never complained about the lack of Semi, nor have I complained about the mansion not being used nor did anyone in this topic complain about it so bringing that up is moot.
It's hardly moot. You seem to thrive on personal arguments, but unlike you, I generalize. My issue doesn't stand with you, personally, it stands with the philosophy that this show MUST be better, because we were in love with the original when we were five.
Of course it's a continuation, what do you think the point is of Mike being the son of Michael Knight? Or his changing his name to also be Michael Knight? Or this new KITT being the Knight Industries Three Thousand or Charles Graiman's supposedly inventing the original KITT as well as apparently KARR?
Third time, this is? It builds up on that, without having to go into specifics about how the entire thing started all those years ago; it assumes you know. It's not a continuation of the show. It doesn't employ the same characters. It doesn't employ the same cast. The same ideas. The same anything. There are two things it needs to have based on that story; a talking car, which it has and a sole focus on the driver and the car, which it has yet to develop.
I don't care all that much if we ever see the original KITT as a 25 year old Trans-Am or Hasselhoff back but that doesn't mean they, the writers should ignore what came before it. They should be studying, learning from and improving upon what came before
Considering that the original Knight Rider was never anywhere near setting a golden standard of television, they don't need to improve on the original. They need to make it their own show. Hell, a good deal of the bad that's been going on is because it's not Thompson's show completely. It started off differently with the pilot, it continued with bastardizing the premise of the pilot and hopefully, it will finally become it's own show with the 12th episode.
or just ignore it completely and not have any connection to the original series and officially call this a remake.
I remembered I bitched about that to no end back in February. I thought it was ridiculous to pick up where a show left off twenty-something years ago; I still think so. But people seemed to
love the idea, back then, drooling over customized black cars in Graiman's garage and Hasselhoff's brief cameo.
Now that we have a show with baggage, let's see how we'll deal without throwing even more on its lap.
Ahh, the good old "if you don't like it then tell me how you would do better and if you can't then don't bother complaining" defense.
What? No, no, no, that's not what I meant. I meant, pitch in actual solutions, not solutions that satisfy nostalgic and/or fanboy needs. I don't particularly care if you'll start proposing solutions; you're not a writer, I don't expect you -or anyone- to do so. But on the flipside, don't pitch in solutions that merely reference (or are referenced to) the original show, as if that's going to improve the show.
Referring back to the original series has nothing to do with putting it on some sort of pedestal. Are you saying no one's complaints are valid if we mention the original?
When they are presented as sole solutions that
must and not
could happen, then I'd say yes, the complaints are pretty much invalidated.
Saying that the writing of this new show is not up to the standards of the original series, standards that like I've said a number of times, aren't very hard to meet, yet they largely still haven't met them.
Think about it, for a second. Do you think this is all that different from asking about Hasselhoff and KI2T in the new show? A show, any show, is responsible for its own standards. TKR sucked, because it sucked. (if) The new show sucks, it sucks. Not because they're not up-to-par with TOS, but because they're just bad.
If this was Knight Rider and the original series never existed, this one was still presented in the exact same way as it has then the problems with the immature, sophomoric writing that's been way too reliant on T&A and sex to make up for their inane stories, the failed and forced romantic/sexual tension between Mike and Sarah, the flat, uninspired plots that barrow to flat out rip off popular movies while throwing in more cliches than should be allowed by law
These
are valid complaints. They're also complaints that shouldn't have anything to do with how the production "views the original show".
the over reliance on CGI which on a TV budget and schedule is not feasible much of the time, especially when practical effects would still work better, the awful green screen that while better than the first couple episode still make it exceedingly obvious that they aren't outside actually driving, the quick cuts during the totally uninspired chase scenes that are used to try and make it seem more exciting then it actually is because they don't have the guts or budget to risk going over the speed limit or denting the GT500KR, that is if they even make it to the speed limit because so far they've looked very slow, the only spot that really showed any sort of speed was near the end of Knight of the Hunter and even then it didn't look all that fast when they showed the car.
Riiiiight. You might want to call Thompson and say you can provide the financial basis for ditching CGI, wrecking stunt cars, closing down streets, hiring stunt drivers for traffic and so on and so forth.
Or we can all hope that with the removal of three salaries, they can finally redistribute their budget.
Then there's the cast which has been bloated to the point that they couldn't fit in everyone and with the ones left, they've had to try and justify their pay checks by putting more focus on them than they should while leaving any real time for just KITT and Mike outside of a few scenes, but that's one thing that's been taken care of, unfortunately at the expense of the three authority figures, so now who is going to be in charge? Is that going to be Sarah now? Which then makes her pretty much fill every role on the team, the only thing missing is the ability to speak nine languages, I bet she can actually speak ten.
How can I not complain about your complaints involving the original Knight Rider, when you bring this up? We have absolutely NO idea how the series is going to progress. ALL we know is that three cast members are leaving and the focus shifts to regular folk instead of terrorists. We don't know how the structure of the team is going to be, if they'll need ANYONE in charge or WHAT they're going to do. They stuffed the cast at first, which they shouldn't have, for whatever reason (I assume there had to be some legal clause carrying from the pilot, regarding some of the original characters back in February), now they're lightening it up. And while we're only one episode away -not counting the transitional ones- we are well into burying the show, because Davidson won't be "Devon 2008".
right now there's no real way Mike can even override KITT if he needs to unless he's going to argue and try and threaten/convince him to do something.
I'm pretty sure the entire windshield's all a touchscreen console. I'm not in favor of adding actual buttons on the dashboard; it looks horrific in the current age. I *am* in favor of having Mike use that touchscreen console to issue commands though.
The series isn't going to make it past a first season if it continues on with how it has in the first eight
Possibly, but quality won't really be a reason. Smallville has been on-air for 8 seasons and I've seen gerbils that committed mass suicides in front of a camera, after sitting through a single episode of it.
nine if you count Knight Fever which is certain to be a train wreck, I'm sure you'll love it.
Yeah, I'm sure I will.
Oh and good work on basically belittling and dismissing every fan who has stuck with Knight Rider long after it ended by saying that it's the marketing that's kept it alive or living off nostalgia with putting KR on a pedestal and not completely seeing the show the same way you do as stupid show from the 80s you watched strictly in syndication, that's kitsch, campy and should be mocked and laughed at with your general acceptance of the new series's shortcomings, we clearly watched and liked Knight Rider for two different reasons. There wouldn't be any marketing if there wasn't a solid fan base out there.
My point was that it's both unfair and irrational to judge the new show based on our emotions for the original. It's Knight Rider and should work on a thing or two, but at the same time, it's a whole different show two decades later. It needs to cut down on the sex and try to work on its consistency, absolutely; but semi trucks, mansions, real-life turbo boosts and old guys for mentors aren't essential for the show's quality.
I agree.. Knight Rider was a show you would sit down and watch with your family, mom,dad or even your kids. I wouldn't want my kids watching the new show.. would you?
I would. Boobs never killed anyone.
I distinctly recall a fair deal of '80s Tn'A in the original show. I didn't notice it back then, of course, because all I cared about was the talking car. I doubt 8-year-olds of today are sitting in the corner, waiting for the final straw that will turn them into sexual predators in grade school.